OKNotOK 1997 2017 from Radiohead features the original twelve tracks of OK Computer plus three unreleased tracks and eight B-sides.
OKNotOK 1997 2017 from Radiohead features the original twelve tracks of OK Computer plus three unreleased tracks and eight B-sides.
I’ve been having a sort out to make bookshelf space. I have two copies of “The Year’s Best Dark Fantasy & Horror 2012″, edited by Paula Guran to give away. Even if you’re not interested in my work, the rest of the line up is stunning.
I’m happy to post them anywhere in the world. Just drop me a line in the comments section and I’ll get in touch for an address.
Contents:
• “Hair” by Joan Aiken (The Monkey’s Wedding & Other Stories / F&SF July/August)
• “Rakshasi” by Kelley Armstrong (The Monster’s Corner: Through Inhuman Eyes)
• “Walls of Paper, Soft as Skin” by Adam Callaway (Beneath Ceaseless Skies, Issue #73, July 14, 2011)
• “The Lake” by Tananarive Due (The Monster’s Corner: Through Inhuman Eyes)
• “Tell Me I’ll See You Again” by Dennis Etchison (A Book of Horrors)
• “King Death” Paul Finch (King Death)
• “The Last Triangle” by Jeffrey Ford (Supernatural Noir)
• Near Zennor by Elizabeth Hand (A Book of Horrors)
• “Crossroads” by Laura Anne Gilman (Fantasy, August 2011)
• “After-Words” by Glen Hirshberg (The Janus Tree and Other Stories)
• “Rocket Man” by Stephen Graham Jones (Stymie, Vol. 4. Issue 1, Spring & Summer 2011)
• “The Maltese Unicorn” by Caitlin R. Kiernan (Supernatural Noir)
• “The Dune” by Stephen King (Granta 117)
• “Catastrophic Disruption of the Head” by Margo Lanagan (The Wilful Eye: Tales from the Tower, Vol. 1)
• “The Bleeding Shadow” by Joe R. Lansdale (Down These Strange Streets)
• “Why Light?” by Tanith Lee (Teeth)
• “Conservation of Shadows” by Yoon Ha Lee (Clarkesworld, August 2011)
• A Tangle of Green Men, Charles de Lint (Welcome to Bordertown)
• “After the Apocalypse” by Maureen McHugh (After the Apocalypse)
• “Why Do You Linger?” by Sarah Monette (Subterranean #8)
• “Lord Dunsany’s Teapot” Naomi Novik (The Thackery T. Lambshead Cabinet of Curiosities)
• “Mysteries of the Old Quarter” by Paul Park (Ghosts by Gaslight)
• “Vampire Lake”, by Norman Partridge (Subterranean: Tales of Dark Fantasy 2)
• “A Journey of Only Two Paces” by Tim Powers (The Bible Repairman and Other Stories)
• “Four Legs in the Morning” by Norman Prentiss (Four Legs in the Morning)
• “The Fox Maiden” by Priya Sharma (On Spec, Summer 2011)
• “Time and Tide” by Alan Peter Ryan (F&SF, Sept/Oct 2011)
• “Sun Falls” by Angela Slatter (Dead Red Heart)
• “Still” by Tia V. Travis (Portents)
• “Objects in Dreams May Be Closer Than They Appear” by Lisa Tuttle (House of Fear)
• “The Bread We Eat in Dreams” by Catherynne M. Valente (Apex Magazine, Issue 30, November 2011)
• “All You Can Do Is Breathe” by Kaaron Warren (Blood & Other Cravings)
Birds may be the theme for the excellent Black Feathers: Dark Avian Tales, but it is human interaction with our feathered friends (and enemies) that provides the darkness as well as the diversity in these 15 stories (13 original, two republished) and one poem. Not surprisingly, corvidae—traditional birds of ill omen and intermediaries between life and death—tend to turn up more than other phyla, but that does nothing to diminish the variety of the tales.
It is difficult to single out the best stories. All are well written and imaginative; favorites may depend, at least in part, on personal preference…Priya Sharma closes the volume with one of the strongest stories, “The Crow Palace.” After her father’s death, Julie returns home to handle the usual post-mortem consequences plus deciding the future care of her twin sister, Pippa, who has cerebral palsy. Julie, who found her mother’s suicided body at a young age, is cold and emotionless, although she loves her sister. Birds play a supernaturally sinister role in this cinematic and truly terrifying tale. Paula Guran for Locus
As its title suggests, the stories in Black Feathers: Dark Avian Tales, Ellen Datlow’s strong new anthology, take place at the darker end of the literary spectrum. In these stories, birds are both symbols and plot devices, figures for the characters’ interior states, and mechanisms by which those states are realized. These birds are the literary descendants of those who fly through Daphne du Maurier’s, familiar creatures rendered strange and terrible. The result is a flock of stories among the year’s most memorable and disturbing. John Langan for Locus
Black Feathers is out now from Amazon.co.uk and Amazon.com