I am delighted to be included in Issue 4 of Molotov Magazine. A big thanks to editor of Alessandro Manzetti and translator Francesca Noto.
“Feral” originally appeared in The Porcupine Boy & Other Anthological Oddities, Ed. Christopher M. Jones, Crossroad Press (2019)and was reprinted in The Dark, Issue 64 (2020).
Sono lieta che una delle mie opere sia stata inclusa nel quarto numero di Molotov Magazine. Grazie di cuore al curatore della rivista, Alessandro Manzetti, e a Francesca Noto, che ha tradotto in italiano il mio racconto.
‘Feral’ (in italiano ‘Selvaggia’) è stato originariamente pubblicato nell’antologia ‘The Porcupine Boy & Other Anthological Oddities’ (Crossroads Press 2019), curata da Christopher M. Jones, e poi ristampato nel numero 64 (2020) della rivista The Dark.
We are happy to announce the release of Ormeshadow, by Priya Sharma, is among the spearheads of the new generation of English weird. His works have appeared in several magazines such as Black Static, Interzone, Nightmare and The Dark, and translated in various countries around the world.
Ormeshadow, orpear winner of the Shirley Jackson Award 2019 and the British Fantasy Award 2020, is a touching coming-of-age story, between dark atmospheres and messages of hope, which presents for the first time to the Italian public the talent of Priya Sharma.
Ormeshadow will be previewed at Stranimondi 2022 while the official release is scheduled for October 13, 2022 in the Visioni series, with a translation by Elena Furlan.
England. Victorian age. The life of the young Gideon Baltam revolves around the family and the hard rhythms of the Ormesleep farm in the town of Ormeshadow, a place steeped in myths and legends: Orme, a dragon buried and asleep, pervaded by dreams of resentment, jealousy, death, prepares to awaken. Or so the legends say.
-Edizioni Hypnos website
Siamo felici di annunciare l’uscita di Ormeshadow, di Priya Sharma, è tra le punte di diamante della nuova generazione del weird inglese. Le sue opere sono apparse su diverse riviste quali Black Static, Interzone, Nightmare e The Dark, e tradotte in vari paesi del mondo.
Ormeshadow, opera vincitrice dello Shirley Jackson Award 2019 e del British Fantasy Award 2020, è una toccante storia di formazione, tra atmosfere oscure e messaggi di speranza, che presenta per la prima volta al pubblico italiano il talento di Priya Sharma.
Ormeshadow sarà presentato in anteprima a Stranimondi 2022 mentre l’uscita ufficiale è prevista per il 13 ottobre 2022 nella collana Visioni, con traduzione di Elena Furlan.
Inghilterra. Età vittoriana. La vita del giovane Gideon Baltam ruota attorno alla famiglia e ai duri ritmi della fattoria di Ormesleep nella località di Ormeshadow, luogo intriso di miti e leggende: Orme, un drago sepolto e addormentato, pervaso da sogni di risentimento, di gelosia, di morte, si prepara al risveglio. O così almeno dicono le leggende.
-Edizioni Hypnos website
My huge thanks to Edizioni Hypnos and Stranimondi – I am VERY excited to be attending the launch in Milan in October 2022.
This book was originally published by Tor.com in 2019
In 2020 I wrote a short story for the Sinister Horror Company‘s Advent Calendar. I based it on Mari Lwyd- the Welsh wassailing custom that involves a hobby horse constructed from a horse’s skull.
I’m delighted to have it narrated by Dion Winton-Polak. He did a wonderful job of it but then went one step further. He also recorded it in Welsh. Massive thanks to him for doing this.
Finally, you can hear more stories performed by Dion Winton-Polak, read his audio Testimonials and hire him to perform your own work if you like. Email him at email@example.com or find him on social media.
Sound design and attribution:
Intro and Outro music come from the Free Music Archive and are used under the Creative Commons Attribution-NonCommercial License. / The Intro music is called The Fifth Life, by Circus Marcus. / The Outro music is called Post Bellum, by Dee Yan-Kee. / The sound effects used have all been sourced from Freesound under the same Creative Commons license. They are as follows: Footsteps on coastal path #3 by arnaud coutancier , Countryside_Birds_Lambs_Rhos_Wales_April_9am , Countryside_Blackbird_Rhos_Wales_April_8pm by innov8ting, dig by maxthrower , ambience_rural_kitchen_silence by patobottos , Barn Sounds by bone666138, Crouching and getting up-dress by usamah , CoupleLaughing by morningfrost , 50-minigaspNina by wintuh, yeah by jburunet , children playing by goldkelchen , Footsteps on crunchy ice on sidewalk by OBXJohn , Five_Heavy_knocks_on_bedroom_door_2 by Omar Alvarado , fire wood bonfire low eq by homejrande
I have made the Flea my business since that first night with John Varley.
I searched out Robert Hooke’s Micrographia: Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses with Observations and Enquiries. Micrographia. Small drawings.
Hooke’s work is an exquisite endeavour but his rendering of the flea is larger than any other creature therein. So much so that the page folds out as if Hooke is trying to communicate something. Why else would he elevate the flea so?
Hooke made his study in 1665. One hundred and fifty-three years ago. He writes with obscene interest of the flea’s curiously polish’d suit of sable Armour, neatly jointed, and beset with multitudes of sharp pinns, shap’d almost like Porcupine’s Quills, or bright conical Steel-bodkins; the head is on either side beautify’d with a quick and round black eye, behind each of which also appears a small cavity, in which he seems to move to and fro a certain thin film beset with many small transparent hairs, which probably may be his ears; in the forepart of his head, between the two fore-leggs, he has two small long jointed feelers, or rather smellers…
That we could be terrorised by something so minute is both woeful and laughable. Unlike Hooke I see nothing to admire in this parasite. I’ve seen the Flea’s ghost and he doesn’t look like Hooke’s drawing. No, not at all.The Ghost of a Flea by Priya Sharma
This story has been in my head for years, ever since I attended a series of talks called “Dreams and Nightmares” at Liverpool University as part of their Continuing Education Classes. William Blake’s “The Ghost of a Flea” stayed with me and I have finally exorcised it via a story for Ellen Datlow’s anthology Screams from the Dark: 29 Tales of Monsters and the Monstrous.
I love a good monster story, so am thrilled to be in Ellen Datlow’s new anthology with a story called “The Ghost of a Flea”.
Contributers list: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, Caitlín R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan.
Find out more here.
Thanks to Charlotte Bond, Lucy Hounsom (who writes as Times Bestseller author Lucy Holland), and Megan Leigh, the team at Breaking the Glass Slipper for having me on their show. We talked about families in horror fiction and my new story (“The Ghost of a Flea”) which appears in Screams from the Dark: 29 Tales of Monsters and the Monstrous, edited by Ellen Datlow, out from Tor Nightfire on June 7th.
Une Heure-Lumière (“a light hour”) is a range from Éditions du Bélial’. These short books are designed to be read in one sitting and have featured the work of writers such as Nancy Kress, Paul J. McAuley, Vernor Vinge, Thomas Day, Greg Egan, and Ken Liu.
« Une Heure-Lumière » est une collection des éditions du Bélial’. Il s’agit de courts romans conçus pour être lus d’une traite, et cette collection a accueilli des auteurs tels que Nancy Kress, Paul J. McAuley, Vernor Vinge, Thomas Day, Greg Egan et Ken Liu.
I am absolutely delighted be included with a translation of “Fabulous Beasts”, a story that appeared on Tor.com in 2015 and won a British Fantasy Award and was a Shirley Jackson Award finalist.
Je suis absolument ravie d’y être incluse avec « Des bêtes fabuleuses », une nouvelle parue sur Tor.com en 2015, finaliste du Shirley Jackson Award et récompensée par un British Fantasy Award.
This will be a special edition that’s free with two other titles from the range.
Cette nouvelle figure dans un hors-série gratuit, offert pour l’achat de deux titres de la collection.
A big shout out to editor Erwann Perchoc, translator Anne-Sylvie Homassel, cover artist Aurélien Police, and interior artist Anouck Faure.
Un grand merci à l’éditeur Erwann Perchoc, à la traductrice Anne-Sylvie Homassel, à Aurélien Police, illustrateur de la couverture, et à la dessinatrice Anouck Faure pour son illustration intérieure.
Check out their website here.
Visitez leur site web ici.