Tag Archives: Black Static

BSFA Awards 2016

Congratulations to artist Tara Bush for her nomination for a British Science Fiction Association Award for her cover of Black Static #53 (above).

I’m so excited to announce that my cover art for issue #53 of Black Static magazine has been shortlisted for an award at the BSFA Awards in the category of Best Artwork. Thank you to everyone who nominated, and also to Andy Cox of TTA Press for putting it on the cover! It is really […]

via BSFA Awards Shortlist —

The nominations contain some terrific work, so congratulations to all who made the list.

Best Novel

Chris Beckett – Daughter of Eden (Gollancz)
Becky Chambers – A Closed and Common Orbit (Hodder & Stoughton)
Dave Hutchinson – Europe in Winter (Solaris)
Tricia Sullivan – Occupy Me (Gollancz)
Nick Wood – Azanian Bridges (NewCon Press)

Best Short Fiction

Malcolm Devlin – The End of Hope Street (Interzone #266)
Jaine Fenn – Liberty Bird (Now We Are Ten, NewCon Press)
Una McCormack – Taking Flight (Crises and Conflicts, NewCon Press)
Helen Oyeyemi – Presence (What is Not Yours is Not Yours, Picador)
Tade Thompson – The Apologists (Interzone #266)
Aliya Whiteley – The Arrival of Missives (Unsung Stories)

Best Non-Fiction

Rob Hansen – THEN: Science Fiction Fandom in the UK 1930-1980 (Ansible Editions)
Erin Horáková – Boucher, Backbone and Blake: The Legacy of Blakes Seven (Strange Horizons)
Anna McFarlane – Breaking the Cycle of the Golden Age: Jack Glass and Isaac Asimov’s Foundation Trilogy (Adam Roberts: Critical Essays, Gylphi)
Paul Graham Raven – New Model Authors? Authority, Authordom, Anarchism and the Atomized Text in a Networked World (Adam Roberts: Critical Essays, Gylphi)
Geoff Ryman – 100 African Writers of SFF (Tor.com)
Ann & Jeff VanderMeer – Introduction to The Big Book of Science Fiction (Vintage)

Best Artwork

Juan Miguel Aguilera – Cover of The 1000 Year Reich by Ian Watson (NewCon Press)
Tara Bush – Transition (Cover of Black Static #53)
Suzanne Dean and Kai & Sunny – Cover of The Sunlight Pilgrims by Jenni Fagan (William Heinemann)
David A Hardy – Cover of Disturbed Universes by David L Clements (NewCon Press)
Sarah Anne Langton – Cover for Central Station by Lavie Tidhar (Tachyon Publications)
Chris Moore – Cover of The Iron Tactician by Alastair Reynolds (NewCon Press)

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The Dark

The December 2016 issue of The Dark includes work from wonderful writers Steve Rasnic the-dark-december-2016Tem, Cate Gardner and Thana Niveau. I’m thankful to be included with a reprint of “The Absent Shade”, a story that originally appeared in issue 44 of Black Static.

Read online here.

The Dark is edited by Sean Wallace and Silvia Moreno-Garcia. Jack Fisher is the assistant editor.

Sean Wallace is the founder, publisher, and managing editor of Prime Books. He has edited or co-edited a number of projects, including three magazines, Clarkesworld Magazine, The Dark, and Fantasy Magazine.

Table of Contents: December 2016

“Too Many Ghosts” by Steve Rasnic Tem
“The Curtain” by Thana Niveau (reprint)
“As Cymbals Clash” by Cate Gardner
“The Absent Shade” by Priya Sharma (reprint)

the-dark-logo

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Black Static Issue 53

Issue 53 of Black Static is now out with cover art by Tara Bush, who has also illustrated myBlack Static Issue 53novelette, “Inheritance or The Ruby Tear”, which is included alongside stories by Steve Rasnic Tem, Harmony Neal, Kristi DeMeester, Danny Rhodes, Stephen Hargadon, and Charles Wilkinson.

Both Tara and regular, Richard Wagner, have done the interior artwork.

Features: Coffinmaker’s Blues by Stephen Volk (comment); Notes From the Borderland by Lynda E. Rucker (comment); Case Notes by Peter Tennant (book reviews); Blood Spectrum by Gary Couzens (DVD/Blu-ray reviews).

Thanks to Andy Cox for taking “Inheritance” as I know it won’t be to everyone’s tastes.

Buy a copy here.

Get Issue 53 free when you take out a 6 or 12 month subscription.

Inheritance

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Story Acceptance

My thanks to Andy Cox for accepting my story, Inheritance  (or The Ruby Tear) for Black Static magazine. It’s the most traditionally Gothic thing I’ve written and I really appreciate him taking a chance on it.

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Black Static’s 50th Issue

Andy Cox has celebrated the 50th issue of Black Static with a fantastic line up of fiction by Georgina Bruce, V.H. Leslie, Ray Cluley, Gary Budden, Tyler Keevil and Tim Casson, alongside columns by Stephen Volk and Lynda E. Rucker, DVD reviews by Tony Lee and reviews by Peter Tennant – which includes a feature on Simon Bestwick.

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Black Static Issue 50 with cover art by Vince Haig

I look forward to reading work by all of these writers but am particularly pleased to see much made of Georgina Bruce’s story “White Rabbit”. I’ve long envied her work for her style and vision which is matched by her technical skill.

I’m also very pleased to see the magazine being featured in the mainstream press. Damien Walter’s article The ominous ordinary: horror writers finding scares in the everyday praises Andy Cox’s vision, Georgina Bruce for  “undermining our faith in the ordinary” and Simon Bestwick’s work as “the most engaged with ordinary British life of any horror writer working today”.

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Blonde

Blonde, illustrated by Martin Hanford.“When did you go bald?”
Only Clarice would ask such a forthright question.
“Leave her alone,” Jake drains his beer. Only he would dare contradict his sister.
The clock hands have gone from late at night to early in the morning. Jake’s bar is empty of customers. The staff, who are sitting round the table, fall silent, intent on their drinks.
“It’s okay,” Rapunzel says. “I was sick and it all fell out.”
Her scalp is shiny, every follicle devoid of life. Nor does she have any eyebrows. Or hair elsewhere for that matter.
“What colour was it?”
“Blonde.”
There’s a pause, then laughter.
Jake nudges her. “You’re a joker after all.”
She knows what he thinks of her. That she’s vague and evasive and hasn’t a clue what’s going on most of the time.
“Lucky you’re beautiful enough to be bald,” he adds.
Rapunzel touches the nape of her neck where she feels most exposed and tries not to smile.

From my story, “Blonde”, Issue 260 of Interzone, now available from TTA Press.

Thanks to Andy Cox for including this story.

862_large[1]The September-October issue of Britain’s longest running science fiction and fantasy magazine contains new stories by John Shirley, Jeff Noon, Priya Sharma, C.A. Hawksmoor, Christien Gholson. The 2015 cover artist is Martin Hanford, and interior colour illustrations are by Richard Wagner, Dave Senecal, Martin Hanford, Warwick Fraser-Coombe. Features: Where O Where Has My Hugo Gone? by Ian Sales; Ansible Link by David Langford (news and obits); Mutant Popcorn by Nick Lowe (film reviews); Laser Fodder by Tony Lee (DVD/Blu-ray reviews); Book Zone (book reviews); Jonathan McCalmont’s Future Interrupted (comment); Nina Allan’s Time Pieces (comment); and Shaun Green interviews Becky Chambers.

857[1] 856_large[1] 855_large[1] Interzone 260

 

 

 

 

Interzone’s sister magazine, Black Static is also out at the same time, and it promises to be a great issue with the line-up listed below.

Black Static 48The September-October issue contains new novelettes and short stories by Jeffrey Thomas, Cate Gardner, Steven J. Dines, Andrew Hook, and Stephen Bacon. The cover art is by Martin Hanford, and interior illustrations are by Joachim Luetke, Tara Bush, and Richard Wagner. Features: Coffinmaker’s Blues by Stephen Volk (comment); Notes From the Borderland by Lynda E. Rucker (comment); Case Notes by Peter Tennant (book reviews and an interview with Simon Kurt Unsworth); Blood Spectrum by Tony Lee (DVD/Blu-ray reviews).

 

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Black Static 44

The January–February 2015 issue of Black Static is now out, containing novelettes by Simon Avery, Tyler Keevil, Jackson Kuhl, E. and Black Static 44Catherine Tobler. My short story, “The Absent Shade”, is also included.

The cover art is by Martin Hanford, and interior illustrations are by Martin Hanford, Richard Wagner, and George Cotronis. The usual features are present, including the regular comment columns by Stephen Volk (Coffinmaker’s Blues) and Lynda E. Rucker (renamed Notes From the Borderland); Blood Spectrum by Tony Lee (DVD/Blu-ray/VoD reviews); Case Notes by Peter Tennant (book reviews), which includes an extensive interview with Tim Waggoner.

The Absent Shade is illustrated by Richard Wagner.

More information about the story can be found here.

The Absent Shade, illustrated by Richard Wagner

 

 

 

 

 

 

 

 

 

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Ellen Datlow’s Honorable Mentions for 2013

Ellen Datlow has released her longlist of Honorable Mentions for 2013, which includes work by Nina Allen, Stephen Bacon, Laird Barron, Elizabeth Bear, Georgina Bruce, Ramsey Campbell, Adam Nevill, Stephen King, John Llewellyn Probert, Steve J. Dines, Stephen Volk,  Ilan Lerman, James Cooper, John Ajvide Lindqvist, Alison Littlewood, Livia Llewellyn, James Cooper, Carole Johnstone, Cate Gardner, Simon Bestwick, Gary Fry, Michael Kelly, Joel Lane…to name a few.

Ellen says of the list, “Some readers might find it useful to see the range of publications that are publishing worthwhile horror stories. Although this list is long, it’s a tiny percentage of the stories I actually read. So if you find your story and name on this list, that’s a good thing.”

I am delighted to be included with the following:

“After Mary” Alt History 5.

“Rag and Bone,” Tor.com April.

 “The Beatification of Thomas Small, Arcane II.

 “The Sunflower Seed Man,” Black Static #37.

Rag and Bone. Illustrated by John Jude Palencar  Arcane 2 Alt Hist Issue 5 Black Static 37

Thanks, as ever, to Ellen Datlow, and editors, Mark Lord, Nathan Shumate and Andy Cox.

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Story Acceptance

A massive thanks to Andy Cox for accepting my short story set in Hong Kong,  The Absent Shade, for Black Static magazine. This will appear in an issue out early in 2015.

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Best Horror of the Year, Volume 6 edited by Ellen Datlow

The Best Horror of the Year vol 6Ellen Datlow‘s Best Horror of the Year (Volume 6) is now out!

I am very excited to be included alongside writers like Neil Gaiman, Kim Newman, Nina Allen and Ray Cluley, to name but a few. My story, “The Anatomist’s Mnemonic”, was initially published in Black Static 32. As always, a big shout our to its editor, Andy Cox, and to Ellen.

Table of Contents:

“Apports” de Stephen Bacon (Black Static #36)
“Mr. Splitfoot” de Dale Bailey (Queen Victoria’s Book of Spells)
“The Good Husbandv” de Nathan Ballingrud (North American Lake Monsters)
“The Tiger” de Nina Allan (Terror Tales of London)
“The House on Cobb Street” de Linda E. Rucker (Nightmare #9 June)
“The Soul in the Bell Jar” de KJ Kabza (F&SF November/Dec)
“Call Out” de Stephen Toase (Innsmouth Magazine #12)
“That Tiny Flutter of the Heart I Used to Call Love” de Robert Shearman (Psycho-Mania)
“Bones of Crow” de Ray Cluley (Black Static #37)
“Introduction to the Body in Fairy Tales” de Jeannine Hall Gailey (Phantom Drift #3)
“The Fox” de Conrad Williams (This is Horror chapbook)
“The Tin House” de Simon Clark (Shadow Masters)
“Stemming the Tide” de Simon Strantzas (Dead North)
“The Anatomist’s Mnemonic” de Priya Sharma (Black Static #32.)
“The Monster Makers” de Steve Rasnic Tem (Black Static #35)
“The Only Ending We Have” de Kim Newman (Psycho-Mania)
“The Dog’s Paw” de Derek Künsken (Chilling Tales : In Words, Alas, Drown I)
“Fine in the Fire” de Lee Thomas (Like Light For Flies)
“Majorlena” de Jane Jakeman (Supernatural Tales 24)
“The Withering” de Tim Casson (Black Static 32)
“Down to a Sunless Sea” de Neil Gaiman (The Guardian.com)
“Jaws of Saturn” de Laird Barron (The Beautiful Thing That Awaits Us All)
“Halfway Home” de Linda Nagata (Nightmare #12)
“The Same Deep Waters as You” de Brian Hodge (Weirder Shadows Over Innsmouth)

 

The Anatomist's Mnemonic, art by David Gentry“The finger bones are called the phalanges. Three to each finger. Two in the thumb.”
She touched each one in his little finger and his thumb by way of demonstration. Sam felt the start of gnawing elation.
“Fascinating.” He’d been preoccupied with aesthetics, not construction or mechanics, but her words thrilled him.
“And these are the metacarpal bones,” Sam swallowed when she ran her finger across his palm. “At one end they form the knuckles and at the other they articulate with the wrist bones, which are my favourites.”
“Why?” He relished her pleasure.
“They’re interesting. Each one has a different shape and name but they fit together like a jigsaw.”
She made him arch his thumb to reveal two taut lines along his wrist.
“This gap is called the anatomical snuffbox,” she pointed to the space between the pair of tendons. “The bone which forms the floor is the scaphoid.”
“Scaphoid,” he repeated.
“The rest of the wrist bones are the lunate, triquetrel, pisiform, trapezium, trapezoid, capitate and hamate.” She worked her way over the wrist to show him where each bone was. “I like the hamate. It has a hook.”
He felt like he was party to the arcane.
“How do you remember all that?” Sam wanted her to know he was impressed.
“Hard work. And mnemonics. Lots of mnemonics.

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The Best Horror of the Year Volume 5The e-version of Ellen’s Best Horror (Volume 5), which contains shorts by Peter Straub, Margo Lanagan, Stephen King and Livia Llewellynn ( as well my own, “The Ballad of Boomtown”)  is on offer for a limited period for the $1.99. More info on here.

 

 

 

 

 

 

 

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